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Tuba Bach 2017

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Concert 4
September 30, 2017 • 7:00 P.M.
October 1, 2017 • 4:00 P.M.
Big Rapids High School Auditorium

Going Bolling

Tuba Bach welcomes back three performers who are no strangers to the Tuba Bach Festival stage. Alvin Waddles, Marion Hayden, and David Taylor have all taken part in several previous Tuba Bach concerts and return once again to join with Ed Mallett in the form of The Alvin Waddles Trio performing the jazz-classical hybrid music of Claude Bolling.

This concert is made possible through the generous support of

Guest artists appearing with Edward Mallett:

Pianist, singer, composer, director, ALVIN WADDLES began studying the piano at the age of eight in his hometown of Detroit, MI. He continued his studies at the Interlochen Arts Academy and the University Of Michigan School Of Music after which he returned to the Detroit area where he currently resides. After returning home he immediately immersed himself in the rich musical culture of the city, benefiting from the diverse influences that would eventually shape his own unique style.

Mr. Waddles has worked in the Detroit and Ann Arbor Public Schools as well as the Music Ministries of several churches; among them, the historic New Bethel Baptist Church, Hartford Memorial Baptist and Hope United Methodist in Southfield, MI. where he has served as the Director of Music since 1995.

He has been musical director and/or pianist for numerous theatrical productions including: The Wiz, The Color Purple, Dreamgirls, Chorus Line, West Side Story, Sophisticated Ladies and received rave reviews as a featured performer in the Detroit Music Hall's long running production of Ain't Misbehavin'. During the 2010-2011 season his diverse gifts were on full display when, within a two week period, he sang the role of Crown for Bolling Green University's production of Gershwin's 'Porgy and Bess' and played the composers 'Rhapsody in Blue' with the Michigan Opera Theater Orchestra.

Mr. Waddles has delighted Detroit music lovers with performances in a variety of musical events including the Detroit International Jazz Festival and the Detroit Festival of the Arts. He is the featured piano soloist in annual productions of "Too Hot to Handel" in Detroit and Chicago and can frequently be heard performing his own Fats Waller Revue.

Mr. Waddles' engagements as a soloist and featured artist have taken him to a variety of destinations including Barbados, Beijing, Paris, Barcelona and Ghana, West Africa. He has also traveled extensively as musical director/pianist for Cook, Dixon and Young (formerly of the Three Mo' Tenors). He has been blessed to work with some of the world's finest musicians including Robert Shaw, Margaret Hillis, Brazeal Dennard, Minister Thomas Whitfield, Aretha Franklin, Anita Baker, Placido Domingo, George Shirley, Marcus Belgrave, Jack Jones, Haley Westenra, Stephanie Mills and Tramaine Hawkins.

MARION HAYDEN is one of very few female jazz bassists, in her case deciding to stay close to home while becoming one of the more enduring instrumentalists in the Midwestern United States.

Born in Detroit, MI, in 1952, she is the daughter of Marion and Herbert Hayden, her father an avid record collector and jazz pianist himself. Growing up on the industrial west side of the Motor City, she took up piano at the age of nine, followed by the upright acoustic bass at 12. In the summer Metro Arts program she met Wendell Harrison and Marcus Belgrave, who would become teachers, and in time lifelong collaborators. Hayden attended Cass Tech High School and graduated from Henry Ford High School, took classes at Michigan State University and then the University of Michigan, gaining a liberal arts degree with a minor in entomology. She took a position with the Michigan Department of Agriculture while working the nightclub circuit playing jazz with Belgrave, pianist Charles Boles, Teddy Harris, Jr., the Jimmy Wilkins Orchestra, Buddy Budson, LaMonte Hamilton, saxophonist George Benson, Marvin "Doc" Holladay, Randy Gelispie, Donald Walden, Kenn Cox, and Stan Booker.

Briefly disillusioned with the jazz scene in the early '80s, she took a two-year hiatus before her career was revived through playing again with Cox, and most notably master percussionist Roy Brooks in his combo the Artistic Truth. For a time while married to guitarist Bill Banfield, she worked on joint projects with him including symphonic and cinematic music reflecting her classical training. From there her career took off as one of the founding members of the all-female ensemble Venus, followed by the band Straight Ahead in collaboration with Regina Carter. As the band was signed to Atlantic Records, the personnel of Straight Ahead changed; as Carter began a solo career, vocalist Michelle Braden was replaced by Cynthia Dewberry and Hayden, pianist Eileen Orr, and drummer Gayelynn McKinney carried on. As the commercial landscape for jazz changed, so too did Hayden's focus, playing in both R&B and mainstream contexts.

This versatility led her to a wide variety of engagements, but also gave her the opportunity to become a high-level educator. She became a professor of bass instruction in the jazz department of Tri-C College in Cleveland, OH, and was installed in the faculty at the University of Michigan School of Music. She has performed or recorded with such jazz veterans as Kirk Lightsey, Ralph Peterson, Jr., Terry Callier, Dizzy Gillespie, Sonny Fortune, Kenny Burrell, Steve Turre, Cecil Bridgewater, fellow Detroiter James Carter, and countless other professionals passing through. Straight Ahead have maintained a local presence beyond their recordings, while Hayden is also heard with the band of saxophonist Allen Barnes, and is a member of the Modern Jazz Messengers led by drummer Sean Dobbins. Her solo CD Visions was released in 2008, and she has composed a suite based on the writings of poet Phyllis Wheatley.

DAVID TAYLOR studied percussion performance at the University of Cincinnati/College-Conservatory of Music where his principal teacher was William Youhass. Other teachers include Salvatore Rabbio, Gordon Stout, and Tim Hagans. Since returning to Detroit, David has performed shows at the Fox, Masonic, and Fisher Theatres. David also performs with the Michigan Opera Theater Orchestra and has performed with the Detroit Symphony Orchestra. David has been a member of Wayne State University's jazz faculty since 1990 and has toured Europe and South Africa with saxophonist Chris Collins. He has been on countless recordings including work with Emmy award winning composer/producer Joseph LoDuca. In addition, he has taught at the Interlochen National Music Camp. David is a Vic Firth Artist.